Lambert, Hendricks & Ross
The Hottest New Group in Jazz
1959-62
Taking its title from the first of the three Columbia albums it compiles (the others being L,H&R Sing
Ellington and High Flying with the Ike Isaacs Trio), this double CD set documents one of the hottest
vocal groups of any genre, ever. Combining vocalese (the art of putting lyrics to previously
improvised instrumental solos), scat, and more traditional jazz and R&B singing, Dave Lambert, Jon Hendricks
and Annie Ross made music that is inventive, sophisticated, humorous, and swinging. "Twisted," "Cottontail," and
"Farmer's Market" are just a few of the many gems included here.
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John Le Carré
The Constant Gardener
2000
John le Carré's eighteenth novel opens with the shocking murder of Tessa Quayle, the alluring, unconventional
young wife of career diplomat and dedicated gardener Justin Quayle, who is old enough to be her father. Tessa's
body is discovered in remote northern Kenya, where she had been traveling with an African doctor and fellow
activist, far from the post-colonial comforts of British Nairobi. Completely transformed by the loss, Justin
undertakes an urgent, impassioned search for the truth about his wife's death, her life, and her work, which she
had hidden from him. This quest uncovers grand-scale political corruption, pharmaceutical foul-play, greed, and
immorality, and ends in an intimate, inevitable encounter with evil.
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Busby Berkeley
Gold Diggers of 1933
1933
The plot (directed by Mervyn LeRoy) involves a group of showgirls struggling to make a living during the
depression, a society kid trying to conceal his songwriting career from his family, and a hilarious case of
mistaken identity. But nobody really watches a Busby Berkeley musical for the plot --it's the eyepopping dance
numbers! And Gold Diggers delivers with neon violins, silver-dollar-clad showgirls, and Ginger Rogers
singing "We're in the Money" in pig Latin. Now that's entertainment.
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Vivian Gornick
The Romance of American Communism
1977
A smart, passionate study of the turbulent role of the Communist Party USA by a literary critic and essayist who
grew up in the thick of it. Gornick recounts the relief and solace found in this brand of politics and, after
the release of the 1956 Kruschev Report, the unfathomable heartbreak. Through the testimonies of CP members and
personal experience, she examines a political party and philosophy demonized by historians, politicians, and the
Soviets-- yet still beloved by former members. This is, ultimately, a story of American activism: of
Depression-era socialism, New York City liberals, and California farmworkers; of the thrill of organization, and
the loneliness of another Saturday night peddling the Daily Worker door to door.
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Richard Buckner
The Hill
2000
In setting the poetry of Edgar Lee Masters' Spoon River Anthology to music, Richard Buckner has created a
work of stark beauty, as personal and intimate as if he had written the words himself. The album flows
continuously (one track, thirty-four minutes), sometimes trickling delicately on the strings of acoustic guitar
and cello, sometimes roiling with waves of organ and electric guitar. But it is Buckner's voice that brings
these tales to life --whispering and wailing of passion and sorrow-- from beyond the graves that lie on The
Hill.
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C-SPAN
British House of Commons
Wednesdays, Sundays, & Mondays
If it only featured topics a bit sexier than financing for the Millennium Dome, or the state of the Euro,
C-SPAN's coverage of "Question Time" could easily be in the same league as the Jerry Springer Show. With
the sarcastic insults hurled by the various guests, the hooting and hollering from the
gallery, and the host trying to keep --at least
the appearance of-- order, it's perfect fodder for a sensational talk show. It's ironic that in America,
birthplace of trashy daytime TV, the uncommonly dull congressional broadcasts are overshadowed by the truly
entertaining British House of Commons.
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Dr. E.L. Kersten
Demotivators
If you are reading this on the monitor of your office computer, chances are you are within view of an irritating
"corporate motivational poster" (to increase the insult, they are usually FRAMED to impress their importance on
you). A company called Despair, Inc. has created posters (and other
products) that condescend to the pessimistic, cynical office peon you really are. (Tip of the hat to co-worker
"Stephanie" for sending me the link on company time.)
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Alex Cox
Repo Man
1984
"Bullshit! You're a white suburban punk. Just like me."
Repo Man entered the pop-culture consciousness as a defining artifact of the Reagan '80s: a punk anthem
showcasing societal alienation in America. The bastard child of Dr. Strangelove and Easy Rider, this apocalyptic
treat revolves around the disaffected Otto (perhaps Emilio Estevez' finest performance), who joins a team of
repo men tracking down a Chevy Malibu with mysteriously glowing cargo in its trunk. With rapier dialog,
surprisingly beautiful cinematography, and a perfect-pitch soundtrack, Repo Man rewards repeated viewing.
"The more you drive, the less intelligent you are."
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XTC
Drums and Wires
1979
XTC's third album was a turning point. Changing personnel (keyboardist Barry Andrews out, guitarist Dave Gregory
in) and a new producer (Steve Lillywhite) provided the band with a more muscular sound. But what really made
the difference on Drums and Wires was the rapidly developing songwriting skills of Andy Partridge and
Colin Moulding. Quirky, jagged, insanely catchy gems like "Helicopter" and "Making Plans for Nigel" upped the
ante considerably and set the stage for even greater things to come.
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Armistead Maupin
The Night Listener
2000
Armistead Maupin is a dreamy middle-aged queer from the Carolinas, and a mesmerizing storyteller. His characters
never fail to seduce me --quirky, picturesque, happily-ever-after versions of men and women I have known and
loved over a couple of decades in the San Francisco Bay Area. An unabashed roman � clef, The Night
Listener explores the heartbroken borderland where art, imagination, pain, and ego are all in a tangle. It
is a poignant tale about family and friendship, identity and abuse, endings and transformations.
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