Jon Spencer Blues Explosion
Extra Width
1993
On this fine album, the Blues Explosion rants, raves, and ultimately knocks some sense into your ass. Miles away
from the punk edge of their first album, yet before the hip-hop-influenced Orange, Extra Width is
a journey through the world of soul and funk. The trio's dualing guitars kick while Spencer howls his guts out,
guiding the album from loose '70s funk on "Afro" to tight groove on "Soul Typecast." Turn it up and rock out.
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Gabe Weisert
Fishing with Gandhi
1998
Fishing with Gandhi: in which Danno,
from his widowed mother's wedding
does hitchhike home to San Francisco
in Hamlet's pickle, regretting
mom's fickle nuptials, and dad fresh dead.
When, dumb'd from birth or bumps on the head,
twins "Gil"denstern and "Roy"sencrantz
stop truck -- what luck! It's Danno's chance.
Meanwhile back in town, his yuppie mates,
pass time in bickering angst, and plan
a potluck welcome home for Dan.
When the pickup overheats, Dan waits.
The rest is comic, corndog, antic;
slapstick humor, not pedantic.
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Ray Price
The Essential Ray Price
1951-1962
One of the great honky-tonkers, Ray Price is remembered more for who was in his band (Roger Miller, Johnny
Paycheck, Willie Nelson) than for his own recordings. Yet, his voice and the 4/4 shuffle beat he pioneered
easily make him worthy of solo acclaim. This collection documents Price's progression from Hank Williams protege
to honky-tonk hero. On early tracks, Price imitates Williams' plaintive vocal style; on later cuts, his voice
leads him where it may. The reigns really begin to loosen on "Wasted Words," and by "Crazy Arms," he's running
wild.
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Erich Pommer
The Beachcomber
1938
Taken from a story by Somerset Maugham, The Beachcomber spins a South Seas tale of colonial missionaries,
heathen natives, and dissolute Englishmen. Charles Laughton is Ginger Ted, a blustery, yet gentle drunk living
on a lonely island in the Dutch East Indies. Elsa Lanchester is the busybody do-gooder who tries to reform him.
Laughton's acting is priceless, and the ending is a prize.
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Harry Mathews
The Conversions
1962
Presaging Umberto Eco's Name of the Rose, Lawrence Norfolk's
Lempriere's Dictionary, Robert Anton Wilson's nutty
Illuminati stuff, and everything Thomas Pynchon ever wrote, this
strange little romp through an imaginary, paranoiac history is just what
you're looking for. But we knew that already.
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Napster
Windows 95/98/NT
You've heard about digital music files called MP3s. You've heard about compact digital players like the Diamond
Rio. You've heard about college kids who haven't bought a CD in years because they have 20-gig hard drives full
of bootlegged songs. Have you felt compelled to get in on the fun? Probably not. Napster will change that.
Deceptively simple, it harnesses the amazing hive-like power of the Net. It's clearly a killer app. Literally.
The current record industry business model is living on borrowed time.
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George Herriman
Krazy Kat:
The Comic Art of George Herriman
1986
You have written truth, you friends of the "shadows," yet be not
harsh with "Krazy." He is but a shadow himself caught in the web of
this mortal skein. We call him "Cat." We call him "Crazy." Yet he is
neither. At some time will he ride away to you, people of the twilight.
His password will be the echoes of a vesper bell, his coach a zephyr
from the west. Forgive him, for you will understand him no better than we
who linger on this side of the pale.
-- George Herriman,
1917
Have you read and re-read all your Calvin and Hobbes until the pages are fading? Go to the source.
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Bell Biv Devoe
Poison
1990
Ricky, Ronnie, and Mike watched their New
Edition brethren leave, one by one, and find success as solo artists -- Bobby Brown, then Johnny Gill, then
Ralph Tresvant. So what were three Beantown b-boys to do? "Smack it up, flip it, and rub it down," of course.
From the hip-hop-tinged opener, "Dope," to the testosterone-charged radio hits, "Do Me" and "Poison," this album
will stick to your CD player "like the bread on the meat of my sandwich." (JG)
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Ivan Reitman
Heavy Metal
1981
Big metaphysical concept. Big soundtrack. Big-name animators. Big bazooms. Heavy
Metal was the ideal '70s-to-'80s bridge for those of us too young or too
stoned to identify with The Big Chill's proto-yuppies. Featuring a
voice cast of soon-to-be-famous Second City comedy greats (Joe Flaherty,
John Candy, Eugene Levy), Heavy Metal is a shining green light in
the pre-Aeon Flux adult-animation void -- sloppy, dumb,
loud, and did we
mention "big?"
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Marilynne Robinson
Housekeeping
1980
With breathtaking assuredness, Marilynne Robinson crafts an elegiac evocation of the West, of the sky, of
loneliness and transience. The story, two orphaned girls taken under wing by an enigmatic aunt, will alter the
way you think about society's fabric and those who choose to slip from it. I have read few things so beautiful.
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